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Letters to the Editor Thomas Johnson writes to say that they are making ukuleles out of the original trim wood of the Titanic's sister ship Olympic. Unexpected news. |
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Building for Playability from
his
2008 GAL Convention lecture by David Freeman Long-time lutherie teacher David Freeman talks us through the fine points of scale length, neck width, neck shape, and action height. Players need to know they like a guitar as soon as they grab it, and this is how it's done. |
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Understanding Neck Rake by John Calkin The exact angle of the neck relative to the top of a flattop guitar is crucially important to its playability, feel, and sound. Calkin shows how they get it right at Huss & Dalton. |
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Meet the Maker: David Cohen by Roger Alan Skipper Dave Cohen first met Michael Kasha as a graduate science student, not as a luthier. He then spent many years as a chemistry professor, and is now well into a career as a respected mandolin maker. |
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Dana Hears, Voices: Optimizing Steel String Soundboard Response from his 2008 GAL Convention lecture by Dana Bourgeois |
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Developing the Modern 20-String Concert Harp Guitar by Jeffrey R. Elliott In 1986 Jeffrey Elliott collaborated with the late John Sullivan on the design of a new harp guitar that Sullivan then built for John Doan. Since then Doan has toured and recorded relentlessly and the harp guitar has established its renaissance. Here's the detailed scoop on the guitar that inspired a generation. (Article includes a reduced image of GAL Instrument Plan #61) |
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Electric Bass Design Considerations from their 2008 GAL Convention panel discussion by Veronica Merryfield,
David Minnieweather and Harry Fleishman, moderator and organizer An entertaining and informative discussion of the many forms and functions of the electric bass, including both upright and guitar-like versions. |
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Make a Dished Workboard, Freehand by Ryan Schultz So, to make a dished workboard from a solid MDF sheet you need a router dangling from a thirty-foot-long pole, or else a CNC machine. Right? Nope, just grab a router and rip into it, freehand. With a little calculation and pencil marking, it can work. |
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Meet the Maker: John Calkin by Lamar Scomp Calkin walked a crooked road to lutherie, being a construction worker, a hippie, a gunsmith, a guitar repairman, and a school teacher before settling in at Huss & Dalton. It's a fascinating story well told. |
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Parametric Models of Guitar Cutaways by R.M. Mottola Here's the companion piece to Mottola's article on guitar outlines. Even if you don't use CNC, this gives you straightforward tools to plan and draw cutaways. |
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It Worked for Me by Luis Mesquita Poke the controls for an acoustic guitar's transducer out the soundport. great idea! The article also shows his slick adjustable archtop bridge that uses opposing wedges driven by thumbwheels. |
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In Memoriam: Dennis Stevens by Harry Fleishman Harry praises his good friend and mentor. Read his memoriam. |
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In Memoriam: Rob Girdis by Rick Davis Rick mourns the passing of a well-liked and capable luthier and teacher. Read his memoriam. |
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Web Extras |
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